vovat: (tmbg)

It's been a pretty busy week, and a pretty rainy one as well. On Monday, Beth and I went to see The State perform live at the Palladium in Times Square, which I believe is where they filmed their show back in the 90s. Eight of the eleven are part of the Breakin' Hearts and Dippin' Balls Tour, and the new performance was a mix of sketches from the show with some new material, or sometimes old stuff repurposed for a new context, like the sketch about a college dorm safety lecture from people with tape on their faces instead became a talk about theater safety, Barry and Levon tried to sell reverse mortgages, and an expanded "Froggy Jamboree" gives the characters a dark backstory.

Older sketches included Louie at the Last Supper, the mailman who delivered tacos instead of mail, the Bearded Men of Space Station 11, and "Porcupine Racetrack," which was the closer.

While changing scenes, they played some bits from the CBS special and a pre-State project where they reenacted weird stories people told them. Since Michael Showalter was one of the members who wasn't there, they made a joke out of getting an audience member to play Doug.

Before the show, we ate at Jollibee for the first time, and I liked the chicken and the peach and mango pie. I wonder what their spaghetti is like. Beth saw the show again on Tuesday, while I stayed home to watch Clone Wars episodes (I've now finished watching the sixth season), play Animal Crossing, and write a post about monster shamans. Less exciting, to be sure, but I've come to appreciate evenings where I don't have to do anything, even if that thing is purely for fun.


Thursday was the fall event at Green-Wood Cemetery that I think we've been to twice before, but the name isn't always the same. This time, it was Nightfall: Danse Macabre. I can't say it was much different from before, but a lot of what you see depends on timing. Some performances repeat with only short breaks in between, while others are only at specific times. We saw fewer of the circus performances than in previous years, although we did see some fire eaters and someone playing what sounded like music from the Legend of Zelda soundtrack on a harp.

There were two different theremin performers, and a shadow puppetry performance about a girl who befriends some crows.

As usual, getting around was a little difficult, as it was dark and the paths at the cemetery twist all over the place anyway. There were lanterns marking the proper roads, but it was still hard to figure out which way we were going, even with a map.


On Friday night, we went to see the Middle Aged Dad Jam Band at City Winery. The band has David Wain on drums and Ken Marino on lead vocals, plus some of their friends and collaborators. Craig Wedren, who did music for The State and related projects (and is married to Thomas Lennon's sister), plays guitar, David's son Henry saxophone, and Amy Miles does backing vocals and some percussion. It's all very casual, but still sounds really good, and some of the people involved are professional musicians even if the leads aren't. They play covers (mostly from the sixties through the eighties, although a few later songs made their way in) and make a lot of corny jokes. They also had several guests who did a song or two, including Paul Rudd playing Gerry Rafferty (it didn't make a whole lot of sense even in context), David Yazbek, Kevin Allison, and, most exciting for me, John Flansburgh, who sang "Born to Run."

Amy introduced him as a friend of hers, and I actually was first aware of her because she and Flansburgh's wife Robin Goldwasser were in a band, The Last Car, that opened for They Might Be Giants a few times. I believe David met her on the set of Wet Hot American Summer; she was married to actor A.D. Miles at the time, although they've since divorced. In terms of connections, it's also interesting that Yazbek did a song from an upcoming musical about Elmer McCurdy, who was already the subject of one by frequent TMBG collaborator Brian Dewan. I've heard that Joe Lo Truglio had played Rafferty before, and that Weird Al has played with the band. It was a surprisingly long show, about three hours long with one fifteen-minute intermission. And it was mostly standing room (there were seats, but they cost a lot more), so it wasn't too kind on my feet. I also had my backpack with me because I brought it to work, but I might have used a smaller bag that day if I'd remembered about the standing.

I find myself not wanting to use Twitter that much these days, even though I still have one-off thoughts that seem well-suited to that format. It just seems like nobody reads my tweets, and my feed is a lot less interesting. I don't think Elon Musk directly messed up my personal experience, but his general toxic, chaotic management has driven a lot of people away. Or maybe it's just my own perception that's changed. The change from the cute bird to a letter of the alphabet doesn't help matters; it just seems a lot less friendly now. I have a Bluesky account, but I'm not following that many people (and even fewer are following me), so it's kind of slow. I've also read some stuff recently on how Google (and probably other sites as well) has basically sold out to advertisers and donors with particular agendas that you don't even necessarily get results for the words you actually typed. Apparently you're more likely to get popular results that are sort of related to your search. It seems similar to how YouTube and apparently Tiktok have algorithms that constantly suggest related things that are selected more for being popular than relevant, and are sometimes actively dangerous. It appears to be how Musk wants Twitter to operate, too. I'm sure that, at times, it's just the computer program not working very well, but I think there's an undertone to the whole concept of not trusting the user to seek out these things themselves.

I feel like there's a general trend on the Internet of homogenization, like you don't see as many personal websites anymore. Of course, a lot of these sites were terrible and boring, but they were still personalized in a way that things really aren't these days. This makes it easier, in that users don't have to learn even the tiny bit of HTML I did in order to put stuff online, so it's not all bad. There's somewhat of a pattern of increased corporate control, but not always in ways I can specifically identify, so it's more of a general feeling on my part. And there's the current obsession with the word "content," as if writing, art, research, music, etc. are all just commodities these days.

Personally, when I make posts on my WordPress, I do so casually, but I want the information to be accurate and fairly thorough. Too often, I'll do a Google search and it will result in the Wikipedia page, some other sites that just copy Wikipedia, stubs on wikis, and unsourced conspiratorial stuff. I realize I could do some more thorough research, as I did learn something about that in school, but it's probably not worth it for a short post that will get maybe ten readers. I just feel that some of this can't be so obscure as to barely register on the whole Internet.
vovat: (Autobomb)

Wednesday was our last day at Disneyland, and it wasn't even a full day. We returned to the main park, and the first thing we rode was Peter Pan's Flight.

This is another one where you ride past scenes from the movie, this time on a suspended pirate ship with some stuff beneath you.

I do hope whoever designed this sign of a smiling Peter above instructions for adults to supervise their kids recognizes the irony.

It's probably a legal requirement to display such rules, but isn't that against everything he stands for? Maybe they should have put Nana on the sign.

I got some frozen apple cider at Maurice's Treats, and then we made our way over to the lake, which has several attractions that are only open in the daytime. There are two boats you can ride, the steamboat Mark Twain and the sailing ship Columbia. We ended up on the former, simply due to timing.

Next came Tom Sawyer Island, where you take a smaller boat to an island with a lot of steps and some crazy bridges.

And Davy Crockett's Explorer Canoes is one where all the passengers row. I'm not sure whether this is actually necessary, but it's definitely a different experience from most rides. I had kind of a difficult time getting into the correct rowing rhythm. Maybe they needed one of those drums. Our next stop was Galaxy's Edge, and while we'd walked around the one at Walt Disney World, we didn't really do anything there. This time, we went on both of the rides there, Millennium Falcon: Smuggler's Run and Rise of the Resistance.

On the former, the part before the actual ride has the pirate (but not of the Carribean) Hondo Ohnaka recruiting a crew to steal some coaxium fuel, borrowing the ship from Chewbacca.

Riders are divided into groups of five, each with two pilots, two gunners, and one engineer. Beth and I were the pilots. It's kind of like Midway Mania in that it's both a ride and a game, but I think was worse at this one. I couldn't help thinking that, if a group of kids rode this, they could potentially get way too serious about it. The wait for Rise of the Resistance was said to be sixty-five minutes, and you had to pay extra for a Lightning Lane pass, which we didn't do. The ride was having problems, so our wait ended up being longer than that. A lot of Disney rides have an introductory story before you actually board, but this one was even more complex than usual.

You meet BB-8, Rey (in hologram form, albeit much better quality than the ones in the movies themselves), and Lieutenant Bek, an original character for the ride. He's from the same species as Admiral Ackbar.

Anyway, you enter a Resistance ship with a moving floor and windows showing space, then you're captured by the First Order, taken onto a star destroyer, and made to walk down a corridor lined with Storm Troopers.

The Resistance comes to the rescue, and you ride an escape pod all over the place to dodge your captors. Kylo Ren shows up a few times during the ride. I saw a few costumed characters in Galaxy's Edge, but the only one I got a picture of was Chewie.

I noticed some Storm Troopers asking kids to give allegiance to the First Order. We also got Diet Coke in collectible bottles, which we still have.

The final thing we rode was Big Thunder Mountain Railroad, and I'm probably more entertained than I should be by the safety announcement, delivered in character in a wacky hillbilly accent. "This is the wildest ride in the wilderness!"

We left the park later than I'd intended, and by the time we'd gotten some food from Monty's Good Burger (the vegan equivalent of In-N-Out; I had the "chicken" tenders and thought they were all right, but the texture was kind of weird), returned the rental car and gotten a ride to the airport terminal, we just barely made it in time for our flight. The flight itself went off without a hitch, but we were both exhausted afterwards. And that's it for the time being, although I should probably go back and talk about some things we did before the trip in a future post.
vovat: (zoma)
Happy New Year, everybody who uses the Gregorian calendar! Since our calendar is set up for the purposes of record-keeping and doesn't control what happens, I can't say 2020 ending has any particular symbolic meaning for me. It is kind of disappointing, though, as the number just sounds so cool. I can't say the year has been especially bad for me, personally, just inconvenient. There were events I wanted to attend and couldn't. On the other hand, I had an excuse for not leaving home much. I started working from home in April, which means I don't have to get ready in the mornings, or do laundry nearly as often. It looks like I might have to start going back to the office in mid-January, but not all the time. They say they're taking safety precautions, but does that mean I'll have to wear a mask for the entire work day, and not be able to eat at my desk? I suppose we'll have to see. Beth and I both had coronavirus for a while, despite rarely going out, but it was a minor case. But I won't pretend the year wasn't horrible for a lot of people. Unfortunately, I don't know that much can change. There are vaccines that are effective against the virus, and we'll have a President who likely won't constantly try to undermine the health experts. But will any of the systemic problems be addressed? Part of why COVID was so devastating, aside from Trump entirely ignoring the precautions Obama tried to put in place, was that people were basically left on their own. Some of us were allowed to work from home, but for those whose jobs wouldn't allow that, only very minor assistance was given. Restaurants were required to close, probably the right decision, but the people who worked there weren't given enough to support themselves in the meantime. Instead, we got politicians insisting that the best way to handle things would just be to reopen everything and let people get sick. But that's not new with the pandemic, but standard Republican philosophy.

I had considered going to Pennsylvania this weekend to visit my family, but I eventually decided against it, due both to health concerns with travel and just not wanting to drive all that way. That means I'll have to come up with another time to do that, though. Last night, we mostly watched The Brady Bunch, then after midnight I played Dragon Quest XI for a while. I finally beat that damned Arboreal Serpent, but with only two or three surviving party members. I've been doing some of the optional quests as well, although the ones that involve defeating a particular monster with a particular pep power are kind of difficult to set up. At this point, a lot of the rewards are pretty useless, but I can see wanting to complete the list.

Speaking of DQ, I've been watching the new Dai no Daibouken anime. I've also started on The Clone Wars, the animated series. I am a little confused, though, because apparently there was an earlier 2D animated series that was deemed non-canonical and doesn't appear to be on Disney+, as well as a movie. There are a lot of episodes of this show, too. I've only watched the first six so far, and I like the newsreel-style openings for each one. Yoda just doesn't look particularly cute in this style, however.
vovat: (Default)
Since live shows have largely dried up during the pandemic, there are a lot of streaming shows nowadays, and I'll admit I haven't watched that many of them. It's more difficult to concentrate with everything that goes on at home. I did watch a Zoe Boekbinder show back in April, but not the more recent one she did for the Prison Music Project. I sort of watched the reunion of The State with Beth, although I don't know that much of their comedy. I'm more familiar with some of the participants' later work; I've seen Michael Ian Black and Michael Showalter do stand-up, and I was a fan of Stella, which the two of them did with David Wain. And I've seen Wet Hot American Summer, albeit long after it came out. Beth has shown me a lot of sketch comedy. We saw all of Mr. Show and we're on the last season of Kids in the Hall. On the other hand, she doesn't really care for Monty Python, a sketch show I was a fan of before I met her. She has The State on DVD, so I'm sure we'll watch together in the future, although I believe some of the songs were edited out due to copyright issues. I will say "Porcupine Racetrack" was very clever, although isn't it a rip-off of Sonic the Hedgehog? I mean, prickly mammals running?


Last night, there was a Kevin Geeks Out livestream, the theme of which was made-for-TV movies. I'd say they're not really a thing anymore, but there are actually a crapload of them nowadays; it's just that since they're usually streaming, it's not like everyone is watching them at the same time, so they're not events in the same way. Many of them were from before I was born, but the presentation style looked familiar, so I suppose it lasted through the 80s. Kevin Maher talked about how many people saw The Day After, a 1983 movie about the aftermath of a nuclear strike on Lawrence, Kansas, and there was even a news broadcast discussing it. He also discussed Rescue from Gilligan's Island from 1978, which reunited the entire cast except for Tina Louise, and served as a long-waited coda for the show. It was shown in two parts, and the second part, where the castaways develop a distaste for society and end up right back where they started, got much lower ratings than the first. Amanda Reyes recounted the history of the format, and how they were largely intended to appeal to housewives. Emily Intravia talked about the Ewok movies from the 80s, which I think I'd heard of before but have never seen. They looked really cheesy, but they seemed to have the vibe of other fantasy movies I grew up with, so I'm sorry I never watched them. Burl Ives and Wilford Brimley appear in them. I also still need to watch Clone Wars, but I'm kind of confused because there are two different shows with that name. Like, is the second one a reboot or a follow-up? The final guest, Suzen Tekla Kruglnska, discussed Whatever Happened to Rosemary's Baby, which never really answers the titular question. As Kevin mentioned after her segment, it's strange how both that and Battle for Endor have an evil woman who turns into a bird. Suzen made a mention of how the books of Rosemary's Baby and The Stepford Wives were written by the same guy, which I didn't know but makes a certain amount of sense. They're both horror stories about a guy screwing over and gaslighting his wife, the supernatural elements almost secondary to the spousal abuse themes.
vovat: (Autobomb)
I just got back from my second trip to Walt Disney World. The first time was with Beth for our honeymoon in 2008, which you can read about starting here. That was at the same time of year, as it was just our third anniversary, even though we've been married for twelve years. We didn't go FOR our anniversary, though. Beth had wanted to bring her Uncle John there, and her cousin Dorothea also came with us. Her uncle had never been there, and I think Dorothea only went once as a kid around the time Mickey Mouse turned sixty. Mickey and I share a birthday, but I doubt my sixtieth will be celebrated all year like his was. And he wasn't a baby in his first cartoons, so wouldn't he actually have to be older than that? I guess I'm getting into Don Rosa territory there. Also, Beth had been once without me in the interim. This time, we flew on Spirit Airlines, one of those budget companies that charges extra for everything. Fortunately, the flight was only about two and a half hours. We stayed at All-Star Movies, one of the budget resorts, which means it was still much nicer than most places I've spent the night. It was several buildings, and we stayed in the Fantasia one.

There's now something they use called Magic Bands, which is a combination park ticket, room key, and way to pay for stuff. The first park we visited was Hollywood Studios, and here's what I had to say about it on my first visit. Contrary to the comments on that post, Heather did not arrange our trip. We're still connected on social media, but I haven't talked to her much recently. It was Tavie who arranged most of the reservations for us. It hadn't changed all that much in twelve years, but it's definitely gotten more crowded at the same time of year. From what I've heard, there's really no off season anymore.

Both Toy Story Land and Galaxy's Edge were built since then.

In the latter, the new Rise of the Resistance won't even let people line up without registering ahead of time. We had three FastPasses, for the Tower of Terror, the Rock 'n' Roller Coaster (which is right next to the Tower, but they were for totally different times of day), and Fantasmic.

Aside from that, we went to Muppet-Vision 3D, which pretty much never has a long wait; the Alien Swirling Saucers, sort of a combination between a Whip and a Tilt-a-Whirl; and the Voyage of the Little Mermaid show. The show was an abridged version of the movie combining clips, puppets, and live actors.

Fantasmic! (it officially has an exclamation point at the end, but I won't include it in other mentions in this post) was also a multimedia sort of thing including film clips, as well as fireworks and costumed characters. It took place within Mickey's imagination, and surprisingly featured a lot of content from Pocahontas. Fantasmic at Disney World started in 1998 (the Disneyland one opened in 1992), so I guess it was still kind of current at that point, although I don't know exactly what changes have been made over the years. Something I thought about was how themed attractions aren't always consolidated. I mean, I get that they can't just build anything anywhere, but Hollywood Studios has Star Tours, Galaxy's Edge, and the Star Wars character meet-and-greets in different parts of the park. A lot of movies or franchises are represented in more than one park, including Toy Story, Finding Nemo, and The Little Mermaid. We had dinner at the Brown Derby, which costs two meals on the dining plan. We were confused about the plan, as we thought it coincided with how many days we had park tickets, but it actually depends on the number of nights we were staying. This meant we had to cancel a reservation for Skipper's Canteen at the Magic Kingdom on Friday, but we also ended up having to burn up several snacks on the last day. It can be a bit difficult to arrange the non-reservation meals around everything else there is to do. At the Brown Derby, Beth had duck (does Donald approve?) and I had cioppino.

And that's pretty much it for that day, but not totally in order. That night, we learned that Stacey, the super-enthusiastic girl who hosted the Disney Must Do on the hotel TV, is still doing that. Apparently she's recorded one show annually since 2005. I can't find how old she is; I kind of assumed she was a teenager back in 2008, but I think she looks about the same now.
vovat: (zoma)
So, the Monster-Mania Convention was this past weekend, and [livejournal.com profile] bethje and I attended on Saturday as usual. The first panelist we saw was Anthony Michael Hall, who looks totally different now then he did in the eighties. I mean, obviously he's older, but I get the impression that he's also worked out a lot. Gunnar Hansen, who played Leatherface in the original Texas Chainsaw Massacre, has long been a favorite of Beth's. David Prowse, the guy who played Darth Vader in the original Star Wars trilogy, was there, and talked about how he actually just recently met James Earl Jones for the first time. There were some actors from The Walking Dead and the guy who played Xander on Buffy the Vampire Slayer, but I'm not familiar with those shows. I know a lot of people who are fans of Buffy, but I can't say I ever got into it. The little bits I've seen just seemed rather too soap-opera-ish. I don't know. And I really feel that zombies are overdone these days. Sure, they're a neat idea, but isn't every zombie movie or TV show basically the same? They lumber around and people fight them off. Mind you, I'm also not too keen on war movies, and they're largely the same thing without the supernatural component. Anyway, the final guests of the night were Robert Englund and Tuesday Knight. Robert has been to a fair number of these conventions, but I believe this is Tuesday's first on the East Coast.

In Dragon Quest IX, I've finally managed to beat King Godwyn, and also took out Corvus' first form and the evil dragon Barbarus. Corvus' second form kicked my ass pretty easily, though. I kind of want to get finished with that game so I can start on another. I know there's extra stuff to do after beating the boss, but I'll probably hold off on that. There are other games I want to check out.

I have to say I found the plot of the most recent Simpsons episode too bizarre for...well, a Simpsons episode. Maybe it would have worked as a Halloween story. I don't know. It just rather strained what little believability the show has left. Not to mention that Homer's childhood trauma turned out to be quite anticlimactic anyway, and most of the dream stuff wasn't all that funny. There were a few clever moments, like the return to Tracey Ullman style animation, but not enough to really justify the wacky premise.

I really haven't been putting that much heart into these life-related posts recently. I was going to write one on Friday, but I just couldn't eke out more than a few sentences, and it didn't strike me as worthwhile. I guess we'll be moving soon, so that's something worth mentioning, but what else is there to say about that? I'm worried that I won't be able to find a job up there, but what else is new? It's not that I don't have stuff to say, I suppose, but more that I'm not sure I feel this is the right venue.
vovat: (Default)
While I like the idea of an audience poll for The Simpsons, I don't think Ned Flanders and Edna Krabappel really work as a couple. I mean, I thought it was a fine idea for one episode, and maybe could last a few more if the writers have enough ideas, but keeping them together doesn't really seem right. Then again, I supported Edna and Principal Skinner as a couple, and the writers decided to do away with that one. I haven't voted, though, I guess because I don't want to get in the way if a lot of fans really DO want Ned and Edna to stay together. As for the episode itself, I liked that several of the characters who mentioned having been with Edna actually had in previous shows (Comic Book Guy in "My Big Fat Geek Wedding," Moe in "The Seemingly Never-Ending Story," Joey Kramer from Aerosmith in "Flaming Moe's," and of course Skinner over the course of several seasons). With that in mind, though, it's odd that they apparently forgot Ned had been on a date with Edna before, although it was really just to make Skinner jealous. And even if we ignore that, Ned should at least know Mrs. Krabappel, since they interacted a fair amount in "The PTA Disbands." I guess I'm just a much bigger geek than anyone involved in making the show. {g}

Also aired on Sunday (although I didn't get around to watching it until today) was Family Guy's take on Return of the Jedi. The show included a whole lot of jokes about this one was kind of half-assed, and maybe it was, but I still thought it was pretty good. I do think that, by this time, they've used up most of their good Star Wars jokes, but they still did quite a bit that worked. I remember when I saw the last FG Star Wars parody, and discussed with [livejournal.com profile] revme how we hoped they'd work in a reference about all the weird relationships, like Stewie playing Chris and Lois' father. They never actually did, though, which was kind of disappointing. Oh, well. I'm also not sure what was up with the interminable head-nodding scene, but that's probably just because I don't remember that part of the original movie very well. Also, since they brought in American Dad and Cleveland Show characters, it's kind of weird that a major player like Joe would have still been available to play Jabba the Hutt. Or did he play other characters in the first two parts?
vovat: (Woozy)
This week's Simpsons episode had an interesting premise, but it gave me the feeling of something that I hadn't seen being parodied, with that whole Bus 23 thing. I did like it, though, especially the part with Bart trying to do something bad with the keys but ending up helping people instead. The Cletus joke was pretty gross, though. Homer's joyride in the Duff Blimp was less enjoyable, but a nice callback, considering how he missed out on the chance of a blimp ride back in "Lisa the Beauty Queen." And all the plots came together at the end, which was a nice touch. One bit where I think they dropped the ball was having Nelson be the one who'd been held back really often. Wouldn't the obvious choice for this have been Kearney? Since Bart and Nelson were in kindergarten together, as per "Lisa's Sax," I don't think Nelson has been held back yet. The Bob's Burgers episode was good, but the Family Guy was all over the place. I mean, I guess it was supposed to be, and it's not like they don't have irrelevant gags that go on too long in most other episodes, but it just felt even more disorganized than usual. Also, did you notice that when they parodied the American Dad opening with Joe, it was the old opening with the newspaper gag?

In other news, I've been thinking about how I'm more of an analytical fan than a critical one. Maybe this distinction doesn't make sense to anyone else, but I guess what I mean is that I'm mostly interested in how imaginary worlds fit together, and that includes accepting material from entries that aren't quite up to snuff. There seems to be a lot of agreement that The Cowardly Lion of Oz and The Scalawagons of Oz are fairly weak parts of the series, but I still use them in my research. I guess I was thinking of this because I saw people being really critical of the Star Wars prequels, and while they do have their flaws, I'm more interested in what they add to the mythos. Mind you, I really didn't like the midichlorian thing, but I've never been all that keen on only people with the right genetics being able to use magic (and The Force is, for all intents and purposes, magic). It's the same way in Harry Potter, really. If you're a Muggle, you're out of luck. I tend to see it more like other skills, where there's a genetic component, but that doesn't mean the people who don't have a natural knack for something can't do it if they practice enough. It's like the Wizard of Oz says in Ozoplaning with the Wizard of Oz: "Magic is like any other science--it takes practice. Of course, if you are a born fairy like Ozma and the former rulers of Oz, working spells and charms just comes natural--like playing the piano by ear. But if you are not a Fairy, you must study witchcraft and sorcery as I have done with Glinda the Good. It only has been by continuous study and research that I have managed to perfect myself in the arts of wizardry." That's a personal preference, though, and you can make magic work however you want in your imaginary universe. Kind of weird that we wouldn't hear a thing about these midichlorians in an entire trilogy about The Force and the Jedi, however, isn't it?

I do, however, have a tendency to be a bit obsessed with continuity. Getting back to The Simpsons, I realize the show isn't going to have perfect continuity, especially with time passing and the characters never aging. Still, I like a certain amount of consistency, which is why, for instance, I think saying Ned Flanders was sixty was a dumb move. And "Viva Ned Flanders," the episode in which this was stated, isn't even bad. It's just that this doesn't fit with what we knew about the character. I am not, as a general rule, a comic reader, but from what I've read and heard ABOUT the most popular comic titles, the creators seem to want to have it both ways. They'll come up with really complex continuities, then throw them out and reboot everything once they've gotten too convoluted, which sounds like a compromise that will please nobody. I think part of why I haven't gotten into comics is how confusing all the continuity stuff is. I know the main characters, but not everything they've been involved in recently, so where would I start? I have begun reading Neil Gaiman's Sandman, however, since I've had it suggested to me before. I found it a little hard to tell what was going on in the first volume, but the second one is pretty good so far. The convention for serial killers was clever, and I like all the references to mythology. Maybe I'll offer a more complete review at some point.

I was going to close with a bit on Harold Camping's doomsday prediction, but I decided that was better suited for a WordPress post. So I guess that's it for now.
vovat: (Default)
Isn't it a bit late in the game to do a Simpsons episode promoting American Idol? The show has been on for years now, and just about every joke you can make about it has been made, many of them on Idol itself. Simon is mean, Randy spouts a lot of slang, and there's a shit-ton of product placement. It was mildly amusing, but didn't really have much to say, and would have made more sense a few years ago. Especially considering that Simon is supposedly leaving Idol, and he was the main guest in the episode. Did Kara even get a joke? Mind you, she's dead weight on AI anyway. The thing is, the rest of the episode was pretty good. Homer had already gone through a golf phase, though (in the seventh season's "Scene from the Class Struggle in Springfield," to be specific), so that scene didn't make much sense. And the ending, with a topical joke inserted at the last minute over the animation of Jay Leno, was rather awkwardly done. Oh, well. Since I think [livejournal.com profile] bethje and I are the only people on the Internet who don't watch Lost, we're probably the only ones who watched it anyway.

And since the Family Guy homage to The Empire Strikes Back has been out on DVD for a while now, we might be among the last FG fans to watch that. I can't say I liked it as much as their first Star Wars parody, as too many of the jokes fell flat. You would think Cookie Monster playing a Wampa would be funny, but they just didn't do enough with it. As for the FG counterparts for other characters who first appear in Empire, Carter Pewterschmidt as the Emperor worked, and the chicken as Boba Fett was all right for the short while he appeared (I never quite got why Boba is such a popular character when he hardly does anything; I guess it's all about the costume). But otherwise, it kind of just seems that they ran out of regulars. I don't see any particular reason why Mort was Lando, and while I'm sure I've seen the character who played Yoda, I didn't recognize him. But I did like that they continued to mock some of the dumber lines and scenes from the movie, and some of the observational jokes were also effective. The car interrupting the lightsaber battle, the obnoxious couple following Luke to Dagobah, and R2-D2's niece's violin recital all come to mind.

As for the rest of the weekend, I did a little bit of census work on Saturday, and we had dinner at Charlie Brown's Steakhouse that evening. I actually still have some carrot cake left over. And at night, Beth and I went to Atlantic City. All we really did was walk on the Boardwalk, but that's enjoyable, aside from having to listen to and get out of the way of all the drunk people there. And those guys with the carts just won't leave anyone alone. Come on, if I want a ride, I'll come to you, dudes.
vovat: (Bast)
Yesterday, [livejournal.com profile] vilajunkie alerted me to a kind of magical black cat that I had omitted from my recent post, the Cait Sith of the Scottish Highlands. From what I've seen, this is pronounced "cat shee," and hence has no connection to the Sith from Star Wars. Then again, I've read that a giant green rabbit is a significant character in the comics based on the franchise, so I suppose a feline Dark Lord wouldn't be out of place. But I digress. The Cait Sith is a fairy cat, distinguished from an ordinary black cat by its size and a white spot on its breast.


(Okay, maybe Reagan is too small to be a Cait Sith, but she DOES have the correct marking.)

The general consensus online seems to be that the Cait Sith could be dangerous and ferocious, but I can't find much about what they were actually thought to DO. But a few tidbits I was able to pick up included that the Cait Sith was sometimes thought to be a transformed witch, that some Scots also believed in a demonic cat called Big Ears that could be summoned by burning other cats, and that the canine equivalent is a typically silent green dog known as the Cu Sith. It seems that the legend of the fairy cats probably came from the Kellas Cats, Scottish hybrids between wildcats and domestic cats.



Nowadays, the name Cait Sith is more likely to be associated with a character from Final Fantasy VII, a robotic cat with a megaphone that rides around on an animated stuffed Moogle. It turns out that the cat is actually under the control of Reeve, head of Urban Development for the Shinra Corporation, who is operating as sort of a double agent. This Cait Sith differs from its namesake in that it has an entire white underbelly instead of simply one white spot, but it DOES sometimes speak with a Scottish accent. A few other Final Fantasy games have either a generic enemy or a summoned creature called Cait Sith. In the original English translation of Final Fantasy VI, the summoned Cait Sith was translated simply as "Stray."

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