vovat: (Neko)

Is it just me, or do I look deranged here?
Beth and I have been pretty busy as of late. On Wednesday, we saw Neko Case at the Beacon Theater.

The last time we saw her, there was some issue with the opener, and she was really irritated. This time, she seemed pretty enthusiastic. She introduced "Baby, I'm Not (a Werewolf)" as being about menopause, which she had a surprisingly positive attitude about. And "That Teenage Feeling" was inspired by the guitar player, Paul Rigby, whom she considers one of the most un-jaded people she knows. She did the drum solo during "Oh, Shadowless." I mentioned to Beth that her sets generally don't include anything from her first three albums, and she thought it was because she hadn't really developed her sound back then. The opener was a band called Des Demonas, and they were all right, but I had trouble understanding the lead vocals. EDIT: I forgot to mention that the pre-show music included "The Rhythm Thief" by Sparks, "Melt the Guns" by XTC, and "Green Green" by the Young Fresh Fellows. I wonder who chooses those. Neko did not perform her Sparks cover in the show, however.


The following day was Kevin Geeks Out at the Nitehawk in Prospect Park, and the subject was John Carpenter. We've seen several of his movies, and not surprisingly, there was a good amount about Halloween, including a guy playing Dr. Loomis undergoing an ethics board review. Another was a discussion of how Michael Myers seems to like clean laundry and hate messy sheets. One presentation was a supposed defense of Ghosts of Mars that turned out to be anything but, as it's a film that takes place in a matriarchal society, but isn't actually that progressive in its treatment of women. That's a movie we haven't seen, and I'm not sure we need to. At one point, Kevin Maher asked whether The Thing was a hangout movie, while admitting that he's not entirely sure what one of those is. I don't think I'd ever even heard the term before, and it's not clear whether it's the audience or the characters who are supposed to be hanging out. Maybe both? Somebody made the point that it might be more of a workplace movie, since it's not like the characters were at a research station in Antarctica just for fun. The Kindest Cut was of an episode of Star Trek: Voyager that was basically a take on Christine, but with a spaceship that had a psychic link to its pilot instead of a car. And Cece Dynamite did two burlesque performances, one as Michael Myers and the other as one of the ghosts from The Fog.

We drove to Pennsylvania on Friday night to visit Knoebels on Saturday. The park didn't open until 2 PM (except for some kids' activities), and we had to check out of the motel at 11 AM, which meant we had time to kill. Beth found a place in the area where you could ride a cart into a defunct coal mine, so we did that.

The mine cart thing was interesting, if rather bleak in its discussion of mine work. The guide talked about how dangerous it was and how the mining companies arranged things so the workers had no real take-home pay.

He also said his son worked in the mines (they're still in operation in the area, although that particular one isn't), and while I'm sure it pays better and has more safety precautions now, I still wouldn't want to do it. We saw a petrified tree, which was where the coal came from in the first place, and part of which had been donated to the Smithsonian.

And fortunately, we didn't have to jump from one cart to another because the tracks were broken.

No bananas, either.
They also had a steam train people could ride, but we didn't have the time. As it was, we didn't get to Knoebels until around 3:30.


This weekend was the last one for the Hallo-Fun event, and it was probably the most crowded it's been while we were there.

There are two rides that have total makeovers for the season, the train and the antique cars, and both have long waits. We missed the train ride both last year and this one. They stop the line when they think people will no longer be able to get on before closing, but if you're not there, there's no way to know that they're doing so. We did ride the cars, however, and several other things besides. The Whipper had some flashing lights for the occasion, and the Phoenix had some Halloween decorations as well. I appreciated that they had skeletons set up next to the pool, which was obviously not open.


We often go to Dorney Park after Knoebels, since it's basically on the way home. The route the GPS told us to take this time was mostly back roads that were quite dark and winding. It did give me the occasion to learn that my car has a setting that will turn off the brights automatically if it senses another car coming. What can't modern cars do? Set the clock ahead for Daylight Savings Time, apparently. I guess it will be correct again soon.

The park was open until 11, but we didn't stay anywhere near that long. I think we were both pretty tired after everything else.

There are a few things I would have wanted to ride if I'd had the energy, but I'd ridden them all before, so it was no big deal. One of them was Steel Force, which was temporarily closed when we got to it, and didn't reopen until we'd gone to a different area. We didn't do any of the mazes they had set up Halloween, as they cost extra. We watched a performance by the Spectral Sisters, and while I think it was the same as last year, we missed the beginning that time.

A bee joined us for part of that show.

And we got a picture of Beth with the puking pumpkin, which has become a bit of a tradition.

I posed in front of a witch's house and a pumpkin dwelling, which I don't think was Jack Pumpkinhead's.

I believe Dorney might have the only Ferris Wheel I've been on that had seatbelts. It really seems like the rules for safety restraints vary a lot. I noticed in the early 2000s that carousels started getting belts, although they don't always seem to be enforced.
vovat: (Neko)
So far this month, we've seen a concert, gone to two amusement parks, and done a few Halloween activities, so I might as well write about them now. We also got stuck in traffic a few times and got COVID and flu shots, and I had bad side effects from medication. Those aren't as enjoyable to reminisce about, however.
On the first Sunday of the month, Beth and I went to Tarrytown to see Neko Case, which ended up being a strange and kind of disturbing experience. The opener was Amaad Wasif, who, during one of his songs, apparently decided it would be a good idea to go into the audience and sit in people's laps. I didn't see any of this from the balcony, but from what we saw online afterwards, one guy objected to it and pushed him away. He then returned to the stage and said someone punched him, which the guy and other people sitting nearby insist he didn't. I don't actually know what happened, but he left after that, and Neko didn't come on until about an hour after she was scheduled to do so. She was angry, and while she still did the show, she never explained what was actually bothering her. I'm sure it had to do with what happened to the opener, but neither she nor the venue provided any details, and the guy who pushed Wasif had already been kicked out. Is the whole audience being punished, like some kind of Full Metal Jacket crap? She still performed well, and seemed to calm down a bit over the course of the set, but it ended up being quite short. They apparently had a fill-in bass player who didn't usually play that instrument, and this was the first time we saw her with a saxophone player, although he mostly played keyboard. Somehow we ended up sitting in the exact same seats as we did when we saw Ben Folds at the same venue. Since it's October, they had a lot of Halloween decorations up in town.
We had some pizza before the show, and the window of the place had this monster slice on the window.

The following weekend, we traveled to Pennsylvania to visit two amusement parks, and a lot of stuff went wrong. Knoebels was doing Hallo-Fun, and we left home later than we'd wanted to. Then there was a long line of cars just to get in, as it didn't seem like the traffic lights were set up to handle that much traffic. We were there for two hours or so. It was pretty fun when we actually got inside, but we didn't have time to do that much.

We rode the Rock-O-Plane, an old sort of ride that was new there this year. It loads sort of like a Ferris Wheel, with only a certain amount of cars low enough at any time for people to get in and out of them. The cars rock around, although you can stop them from doing so with a brake.

I believe it was also the first time we rode their Tea Cups, which were the same sort of ride that Beth knew as a Crazy Daisy.

And the line for the Phoenix had this graveyard for old rides.

We didn't get a chance to go on the Haunted Pioneer Train, which had a really long line.


Dorney Park, which we visited on Sunday, has Halloween Haunt, and I took another picture of Beth with the puking pumpkin.

They have a new ride, the Iron Menace, a roller coaster with a straight vertical drop.

The park has a backstory for this ride involving the fictional McTavish Steel, whose owner died under mysterious circumstances and went on to haunt the old mill. There actually is a McTavish Steelworks in Manitoba. To fit the theme, they also redesigned the nearby glider ride and changed the name to MT Buckets.

We also rode the Cedar Creek Cannonball, which last year we hadn't realized was going to close early for the Halloween events.

And it was the hundredth anniversary of the Thunderhawk. We visited two of the temporary haunted houses, Blackout and Blood on the Bayou. The former was introduced as a candy factory, but was really just a bunch of dark rooms. I guess the introduction was just misdirection, although a candy-themed haunted attraction could have been interesting. The latter was based around a pop culture representation of Louisiana that's probably nothing like the actual place, including alligators and fortune tellers.

And we saw part of a show by a group called the Spectral Sisters, who were pretty similar to the Puppini Sisters, doing swing versions of pop songs, including 10,000 Maniacs' "Because the Night," Heart's "Crazy on You," and Creedence Clearwater Revival's "Bad Moon Rising."


Thursday the seventeenth was Nightfall at Green-Wood Cemetery, which includes a mix of things, both displays and performances. It seemed like there wasn't as much as in previous years, although that could have just been our timing or the paths we took. The ways through the graveyard are marked off with lights, but some of them do branch off. There were performers from the Bindlestiff Family Cirkus, a one-man band who played "Tequila" and a sword swallower.

Morbid Anatomy did a series of lectures, of which we heard the one about Ra's journey through the underworld in Egyptian mythology, as told in the Amduat; and another on symbols of time and mortality in funerary decoration. And a band was playing songs from the earlier part of the twentieth century, the ones we were there for being from the 1910s and 1930s, with a different lead singer for each.


We visited South Jersey this past weekend, and did a few Halloween-related activities while there.

On Friday, we went to the Creamy Acres Night of Terror, which consists of a hayride and three walkthroughs. From what I remember, it was pretty much the same as last year.

There was a drive-through called Glow in Washington Township, which was a bunch of light displays loosely themed around old Route 66, although some of them didn't seem to relate to much of anything.

It had monsters and other seasonal stuff, but wasn't scary in the sense of people jumping out at you or anything; you just drove through and looked.

And that night, we went to Terror at the Junkyard for the Scullville Fire Department in Egg Harbor, which involved driving along a lot of dark roads, rather scarier than the maze or hayride, but obviously not as theatrical.

One performer seemed particularly into his role, stomping on the wagon and singing a song about waking the dead. And that's about all that's worth writing about for now, but there should be some more later in the month.
vovat: (Neko)

Beth and I saw Neko Case twice last week, at White Eagle Hall in Jersey City on Tuesday, and Brooklyn Steel on Thursday. Neither place was that convenient to get to, and both were standing room only. The thing is, I believe the last few times we saw Neko, which admittedly were a few years ago, pre-pandemic, they were at seated venues. I guess she has to take what she can get. Getting home from Jersey City was particularly annoying, as the PATH trains run very rarely at night. I'm not entirely sure, but I think this might have been the first time we saw her live without Jon Rauhouse being part of the band. Carl Newman, Paul Rigby, Joe Seiders (mostly on drums, but on accordion for a few songs), and Nora O'Connor were all in it, though. We had seen Nora perform with Kelly Hogan a long time ago at the Tin Angel in Philadelphia. The setlists at both shows were pretty similar, although there were a few differences, with the Tuesday show being slightly longer. "I Wish I Was the Moon" was the closing song at the first, and the opening one at the second. Thursday was actually Neko's birthday, and she did acknowledge it. She said something about preferring her fifties to her forties. I suppose I'll find out about that eventually. I always like her banter during shows; she seems to mostly just say whatever comes to mind. She mentioned that "Favorite" was the first song she wrote on guitar, and "Maybe Sparrow" the first one she and Paul wrote together. She had recently put out a collection, which I think is mostly already released stuff, although there's one new song on it, "Oh, Shadowless," that she did at both shows, playing the drum during one part of it. Beth has recently really gotten into Sparks, so she was excited that "Never Turn Your Back on Mother Earth" was part of both sets. Neko doesn't like people taking pictures at concerts, so I didn't. I will, however, say that she wore her skeleton pants at both shows. I'd heard of these before, but I don't think I'd seen them in person before this. She wore a skeleton outfit in a Maow video back in 1996, but I don't think it's the same; she says she bought the pants for three dollars at a Halloween store. This picture is from 2017.
vovat: (Neko)
Has anyone noticed I haven't written much recently? It's been a matter of access, since we've been staying in a motel. I finished reading The Lost Tales of Oz, and I might be able to write a review this weekend, but I'm not making any promises.


Beth and I saw two concerts last week. The first was Neko Case at the Beacon Theatre on Thursday. She doesn't like people to take pictures at her shows, which is fine, but I would have liked to have had a better look at the dress she was wearing when her set started. Her opener was Thao, who's in a band called the Get Down Stay Down, but I know nothing about them. I didn't find her songs particularly memorable, but she make some interesting sounds with her guitar. Kelly Hogan wasn't there for this show (I think she might still be touring with the Decemberists, but I'm not sure), although this was the first time I saw Rachel Flotard, a long-time collaborator with Neko who was also in Visqueen. And Johnny Sangster, who played guitar and keyboard, is the brother of the Young Fresh Fellows' bass player Jim Sangster, and there was a song about his band, the Sharing Patrol, on the Fellows' second album. The setlist was heavy on songs from the last few albums; she did include a few from Blacklisted, but nothing from before that. But then, more of the songs on the earlier albums were covers. Neko has a really confident voice, but points out how nervous she is in between numbers. It's a combination I've noticed in a lot of people I know, so that's cool.


Saturday's show was Michael Nesmith at the Colonial Theatre in Phoenixville, Pennsylvania, a town about fifteen miles from where I grew up, and also where they filmed The Blob. Beth's mom went with us to that one. It was advertised as the First National Band Redux, revisiting the material he released soon after leaving the Monkees for the first time. It's mostly country-rock music, the same kind of stuff he wrote for the Monkees. None of the First National Band's output was particularly successful, although "Joanne" was somewhat of a hit. It's really good, though. Aside from Mike himself, the original members of the band had either died or were unwilling to tour. The new lineup is partially a family affair, with Mike's sons Christian and Jonathan on guitar, and Christian's wife and bandmate Circe Link on backing vocals. The set included some material from after the FNB era, and at one point he played three of his earliest songs, "Propinquity," "Different Drum," and "Papa Gene's Blues" with only the steel guitar player accompanying him. "Different Drum" was, of course, a hit for Linda Ronstadt that the Monkees' producers had rejected; he later included his own version on a solo record. I first knew another one of Mike's songs, "Some of Shelly's Blues," from the cover by the Nitty Gritty Dirt Band. The title is presumably channeling Bob Dylan; a lot of his songs from that period had titles that had no clear connection to the songs themselves, although I'm not sure he did that so much during the FNB years. When he re-released "Carlisle Wheeling," he gave it the much less enigmatic title "Conversations."
vovat: (Neko)
Beth and I both took a civil service test for Office Assistant positions this past Thursday. We've taken several of them in the past, and nothing ever seems to come of them. But then, there are a lot of applicants, and veterans automatically get preferential treatment. I guess it's possible we'll be lucky someday, but I sometimes feel that Beth pushes too much for these. I don't know. I have another one next week that she isn't taking, and I have to go all the way to Queens for that. This one was in Downtown Brooklyn, hence much more convenient. It was also computer-based rather than on paper. It consisted of seventy multiple-choice questions, many of them about putting things in order and noticing mistakes. Pretty easy, although the system says I got two wrong. I'm usually one of the first to complete these tests, which is kind of a relief but also a little scary, like I'm just not paying as much attention as everyone else. I believe I was the second one finished this time. The third, if I remember correctly, was wearing a Sonic the Hedgehog T-shirt and running pants. Gotta go fast! There's a brief typing test after the main one, and I have to wonder why they don't do that first, since it takes the same amount of time for everybody. Instead, they have to wait until enough people have finished the other test to bring a group in to do the typing. Fortunately, I brought a book.

Last night was the Neko Case concert at the Apollo Theater, where the upper mezzanine was general admission, not something I can recall seeing before. We got there pretty early, though, so even though we were far from the stage, we were about as close as we could get in the farthest-away section. There were notices all over stating that photography wasn't allowed. According to the Internet, Neko has had confrontations with audience members over this in the past, so just outright not allowing it is probably the best idea. I usually do take a few pictures at concerts if I'm allowed, but rarely do they come out very well. I forget the opener's name, but he was a guy from Denmark who played guitar and keyboard, and was pretty uninteresting. Neko's band had three people, including mainstay Jon Rauhouse. Kelly Hogan wasn't there, which was strange since she's been at every Neko show I've attended for years. Apparently she's doing some recording and performing with the Decemberists. Neko played a good mix of songs, including "Duchess" from her first album and a few others she said she rarely did live. Neko's shows are always fun (at least if no one tries to take pictures, I guess) because she's really funny and personable between songs, then powerful when she sings, with most of her songs being on the dark side. Beth and I started seeing her when she was playing fairly small venues back in 2002 or so, and now she's performing in large theaters. I was a fan before she was famous! No, seriously, we all know the "I saw them first!" attitude associated with hipsters is annoying, but there is a certain bittersweet feeling when an artist increases in popularity. It's like you're glad for their success, but miss when the shows were more intimate, you know? By the way, even though Neko was playing at the Apollo, the Sandman didn't show up to sweep her off when she messed up on "Margaret vs. Pauline."

After the show, we went to eat at the nearby Harlem Shake, which was good. Beth had a cheeseburger and a peanut butter milkshake, and I had two hot dogs and a strawberry shake. The hot dogs were the kind with the thick skins, which I used to not like but later grew to appreciate; and the shakes were quite good. I also feel it worth mentioning that there was a picture of Ice Cube on the ice dispenser behind the counter.
vovat: (Neko)
I actually have a bit more than usual to impart today. On Thursday, [livejournal.com profile] bethje and I met Stephanie in Manhattan to see Neko Case. Well, "see" is pitching it a bit strong. It was a free show, and by the time we got there it was so full that we had to sit back so far as not to see much. It was part of some blues festival, which doesn't strike me as a very appropriate fit, but whatever. Despite some technical difficulties, Neko was able to perform a variety of songs from everything but her first two albums, which she sadly neglects at most concerts. I'm not sure why, but maybe it's because they're more straight country, or she's just tired of the songs. Those are just wild guesses, of course. Speaking of Neko's older songs, though, was "I Wish I Was the Moon" used in a soundtrack or something recently? I follow the Neko Case tag on Tumblr, and people seem to be mentioning that particular song quite a lot, even though it's ten years old at this point. Getting back to the concert, she also performed a new song that she described as being about dating your father, who turns out to be your mother. Something like that, anyway. Also, I'm kind of surprised Kelly Hogan was at the show, since I would think she'd be touring in support of her own new album.

On Friday, we got around to watching the Futurama episode that we'd missed on Wednesday. I liked it pretty well, although the desire to reset everything at the end made parts of it seem a bit hasty. I'm talking particularly about Leela's parents' divorce and remarriage. It might have worked a little better if they'd stretched these things out over the course of a few episodes, rather than packing it all into one. That said, it was a solid story, and I appreciated how Morris' past as a sewer surfer played into the plot a few times. I guess shark people using a water-based weapon makes sense. It's also interesting that Zapp appeared to be seriously dedicated to his relationship with Munda; it was his idiocy at negotiation that broke them up, rather than his chauvinism.

On Saturday, we saw Jordan Cooper play a show in Soho. Kristen, his girlfriend and the singer for his band Sally, had a birthday that day; and they also released their first EP, We Are in a Car. So that was fun. Less fun was our experience yesterday, which involved Beth and me riding a train so crowded that we couldn't sit together, and lugging a heavy bag over the streets of our nation's capital. We made it to the hotel all right in the end, however, and we won't have to worry about carrying the bags again until Friday. So why are we in Washington? Well, Beth has a class she has to take for work, and I came along with her. Any suggestions for what we can do while we're here are welcome, but remember that her class lasts until 4:30 every day.
vovat: (Default)
Here are just a few things that have been on my mind recently, and are too long for tweets, but too short for posts unto themselves. I had wanted to do this as Monday Miscellanea, mostly just for the alliteration, but didn't have the chance yesterday.

  • Work six days in a row (six evenings in a row, actually) really kicked my ass. And now that I have a day off, I have homework to do. Admittedly, I'm not doing it at the moment, but it still kind of spoils the idea of a day off. I'm not sure why they're having me work so much now. I guess I can't complain, since I need the money, but it's hard to plan anything else around it.
  • It's weird to me that people still smoke. I mean, I'm aware that they do, but I just don't get the appeal, especially in this day and age. But then, I guess it was largely my upbringing. My parents didn't smoke, and since I hardly ever hung around any other kids, I didn't see them smoking either. I have to wonder if, had I been raised in a more pro-smoking environment, I would have smoked a pipe. You know, because I've always kind of wanted to maintain the image of being an eccentric old man, except not actually old. But really, smoking isn't even considered cool anymore, is it? So why are there still so many new smokers? Honestly, although I haven't done either, I personally can understand hard drugs more than I can smoking.
  • I might have mentioned this before, but I never know how to answer the "what kind of music do you listen to?" question. I think most of what I listen to is of a fairly similar type, but I can't say I know what you'd call it. I can't say I've ever really listened by genre. Some people will say they like "everything but country" or "everything but rap," but I actually like quite a bit of the former and some of the latter as well. I just don't care for the "I love Jesus and my pickup truck" variety of country music, which seems to be the only thing that makes the charts. There's a lot of crap on the pop charts, but some good songs also get in there from time to time. Contemporary country music, like Christian music (and there really isn't a whole lot of difference anymore aside from country songs mentioning beer a lot more often), is more of a lifestyle than a genre. Mind you, these people aren't the only ones who define themselves by the music they listen to, but they might well be the only ones to still do that after high school. Dismissing the entire genre, however, would presumably mean dismissing Neko Case, Carolyn Mark, and Laura Cantrell, none of whom you're likely to hear on a ClearChannel country station. Neko, at least, seems to get a fair amount of play on public radio, though.
  • Why have I been hearing so many anecdotes as of late about men saying women can't be funny? What the hell? What century is this again? I saw this basic idea attributed to John Belushi (which means it wasn't all that recent, but still hardly in some other era) and Christopher Hitchens. I guess that, even though Hitchens is an atheist, he can still agree with fundamentalists on the inferiority of women. Personally, I have to say a sense of humor is one of the main things that I find attractive in a woman.
  • I keep meaning to write about dreams I've had, but I never do, and then I always forget most of the details. I can say that a lot of them involve being lost, either on a highway or in a building. For some reason, buildings keep appearing in my dreams that are basically a whole bunch of things in one, with stores, classrooms, storage spaces, and even dorms. I do recall one particular dream from about a week ago in which I went with some old guy who had played the Cowardly Lion (I guess in the MGM movie, although he didn't look much like Bert Lahr, and he's obviously long dead anyway) to an exclusive restaurant up on a high floor of a building. I was in line for food and was thinking of getting something that I think contained both chicken and lobster (I'm usually not much for lobster, but I do like it, and I think it was supposed to be free). I got mad about something, though, and ran out of the room and tried to make my way back downstairs, only to find that the elevator didn't go all the way down. So I had to make my way through closets and offices, and I'm not sure I ever even did find my way out. I think there was something about my living in the building, but never having even noticed all the extra floors above the living ones. Finding out something obvious that I'd somehow missed despite the fact it was right in front of me is another recurring theme in my dreams.
vovat: (Neko)
This past weekend, [livejournal.com profile] bethje and I finally got around to watching the Netflix movies that had been sitting around the house for weeks. One was My Baby Is Black and Checkerboard, a double feature of French exploitation films that were pretty boring, and we ended up not watching all of either of them. The other was Rocky IV, which was pretty heavy on the Cold War propaganda. I mean, Ivan Drago is a terse, pitiless, steroid-addicted, government-promoted freak. How much more anti-Soviet can you get? Another reflection of its mid-eighties release date was that a robot appeared, and for no apparent reason at that.

Other viewing so far this week has included Fox's Sunday night lineup. I found the American Dad episode, with Andy Dick moving in with the Smiths, to be rather reminiscent of the Family Guy where James Woods moved in with the Griffins. It seemed like Woods being a lunatic was kind of absurd, however, while as far as I can tell Andy Dick really IS a lunatic. I don't think he did his own voice, either, while Woods did. The conflict in the Simpsons episode, with Homer stealing the glory for Bart's accomplishment, never amounted to much, but I think the real highlight of the episode was how many different kinds of animation they parodied. Also, we got a few appearances by celebrities who did riffs on how annoyingly self-absorbed they are. I generally like Ricky Gervais pretty well, but his bit went on a little long. I've also heard that, since he's lost weight, he's started hassling other people about being overweight. What the hell, Ricky? Actually, his part in the Simpsons episode made a good point about that, which is that we CAN'T all afford physical trainers. But anyway, yeah, not much plot to the episode, but pretty fun anyway. And I like that they brought back Angry Dad instead of coming up with a new reason for Bart and Homer to be famous. I also liked the Family Guy episode, but I was probably mostly just amused by the bad pun of the guy who went by "Gutentag" having the real name "Schlechtnacht." The old man fight was funny, too.

I really should start to plan things out more in advance. There's an event in New York tomorrow, I kind of want to go to, with both Michael Showalter and Neko Case at a bookstore. I have to work tomorrow night, though, and now it looks like Beth won't be going either. I have to wonder what it'll be like, though. I mean, I'm a fan of both Michael and Neko, but they're from different worlds! What's next, Frank Black performing at Oz convention? Wouldn't that be awesome? Well, maybe only for me. By the way, Neko is on Twitter, and she does a lot of retweeting, but hasn't retweeted anything of mine yet! I have to suspect that the retweets are all of people she knows personally, but it would be a pretty big thing for me if she DID acknowledge something I wrote. I'm sure the other 7397 people who follow her but she doesn't follow back feel the same way, though.
vovat: (Neko)
Last night, [livejournal.com profile] bethje and I went to see Neko Case at the Kimmel Center in Philadelphia. This was a pretty big, swanky venue compared to others at which we've seen Neko in the past. The first few times we saw her were at the Tin Angel, which is quite small, so she's definitely moved up in the venue world. It's kind of weird, because most of the musicians I like have been playing venues of around the same size since I first starting seeing them live. It's cool that Neko is getting more attention from the public, but I do miss the more intimate shows at smaller places. Then again, the Kimmel Center has much more comfortable seating than the Tin Angel, and we were right up front.

The opener was Jason Lytle, who was all right. His music didn't really hold my interest, but it wasn't bad, and he had a pretty good voice. Neko is always a good performer, and she and Kelly Hogan got in quite a bit of amusing between-song banter, including a running gag about the School of Soft Rock. The set was very heavy on songs from Middle Cyclone, and I'm not sure it included anything from albums prior to Blacklisted. I would have liked to have more earlier stuff, especially since Furnace Room Lullaby is my favorite album of hers, but Neko is hardly the first musician to eschew old songs in favor of new in her live sets.
vovat: (Jenny Lewis)
Hey, how about some reviews of three books I read recently?

Watership Down, by Richard Adams - I'd been meaning to read this one for a while. Actually, I did read the first few pages when I was waiting for a computer at the local library some years ago. Recently, though, I saw the book on [livejournal.com profile] therealtavie's shelf and read an interview where Neko Case said it was one of her favorite books, so those things together pushed me into trying it again. And it really is a good book, describing the lives of rabbits from their own point of view. Adams' introduction said that he wanted to have rabbits who would think and communicate like people, but wouldn't do anything rabbits couldn't actually do, and I think he succeeded. And the idea of rabbits having their own religion and mythology was rather fascinating.

The Lightning Thief, by Rick Riordan - Speaking of mythology, this is the first book in the Percy Jackson and the Olympians series, which was recommended to me by [livejournal.com profile] rockinlibrarian. It's in much the same vein as Harry Potter, in terms of having an adolescent boy discover he has both magic powers and deadly enemies, as well as in there being a special training place for people like him. The similarities don't stop there, but it's not like Rowling invented these ideas. Anyway, Riordan definitely has his own style, simultaneously more modern and more faithful to traditional mythology than Rowling's. I like his view of the gods in the modern age, in that they have adapted somewhat with the times, yet still maintain their traditional personalities. And there's a good dose of humor, one of my favorite throwaway bits being how one of the only two songs Grover the satyr can play on his pipes is Hilary Duff's "So Yesterday." I'll definitely have to read the rest of this series. In fact, I've already started on the second book, The Sea of Monsters.

The Black Cauldron, by Lloyd Alexander - The second book in the Prydain series (honestly, the fact that the first book has "three" in the title still tends to confuse me) is an improvement over the first one, at least to my mind. Since Alexander has already introduced his main characters, he's able to have more fun with them. We can definitely see Taran maturing in the course of the adventure, and Fflewddur Fflam and Doli have some good moments. I also found the three enchantresses to be pretty amusing characters.

[livejournal.com profile] bethje has told me that enjoys being in the middle of a good book. I can understand that, but I usually like to finish as quickly as I can. After all, that's when I can move on to the next one, right? {g} Also, I like to look back on books I've finished reading. And I don't think I'm going to run out of things to read anytime soon. I might eventually run out of new Oz stuff, though, so all you aspiring Oz authors need to get to work! {g}
vovat: (Neko)
So, yesterday evening, [livejournal.com profile] bethje and I went to a Neko Case concert. It's weird that, not too long ago, she was playing the Tin Angel, and now she's moved up to places like the Trocadero and the Keswick. Not huge venues by any means, but she's definitely moving up in the concert world. While that's good for her, I kind of miss the more intimate quality of the earlier shows. On the other hand, the Keswick has more comfortable seats than the Tin Angel. We've actually been to quite a few shows at the Keswick recently (Kids in the Hall, Aimee Mann, and Stella), which is a little annoying as it's so far out of the way, but I'm getting more used to going there now. One oddity of the Keswick is that all the pre-show announcements are done by some guy with a really weird tone to his voice. He's not a good public speaker, so I don't know how he got the gig. Maybe he's related to the owner (or, for that matter, maybe he IS the owner).

The opener was a band called Crooked Fingers, which wasn't very good. The lead singer had a voice that reminded me of someone I can't place, but not someone I like. They did a bunch of songs that all sounded pretty much the same, followed by an intermission that was supposed to be fifteen minutes, but turned out to be considerably longer than that. During Neko's performance, there was a screen in the back that played images or videos pertaining to the songs she sang. I've seen a lot of other artists do that, but I'm pretty sure it's new for Neko. The set was pretty heavily weighted toward songs from Middle Cyclone, and didn't include anything from the first two albums, at least as far as I can remember. I'm the kind of guy who likes musicians to mix it up a little more, but I guess I can't really complain about the show itself. There was a lot of amusing interplay between Neko and Kelly Hogan, Neko informing us about she wanted to relax in a sauna full of Pepsi (even though she doesn't DRINK Pepsi), and have a tube-and-funnel device pump potato chips into her mouth. Also, there's apparently some overlap between her menstrual cycle and Beth's, which is a pretty neat celebrity connection. Screw wearing the same size water skis! {g}

I bought a T-shirt with the sphinx on the phone image that's in the liner notes for "The Pharaohs." I ended up getting blue, even though I would have preferred brown. That color only came in women's sizes, though. Am I the only one who thinks women's T-shirt sizes are a bad idea? Aren't they supposed to be unisex clothing? Anyway, I guess that's about it.

EDIT: Oh, and I almost forgot to wish a happy birthday to [livejournal.com profile] onesto_hotel, and a happy belated birthday to [livejournal.com profile] mmpoetatheart! How do I keep forgetting these things when LJ sends me e-mail reminders?
vovat: (Neko)
Let's see here. I slept pretty much all morning, except for when I was taking [livejournal.com profile] bethje to work. I had some weird dreams, but I can't remember most of the details. Trying to return home after some event was a major recurring theme, though. It was at least the second time I was trying to get multiple cars back home from somewhere, which really doesn't make too much sense unless I'm actually buying cars at faraway locations. There was another dream that involved wandering around a mall, which happens in a lot of them, and I can't say I really know why. Malls and schools are constantly recurring dream settings for me. The dream I remember the most involved some festival (I think it was supposed to be Mardi Gras, although none of the events really had anything to do with it), and there was a show by artists including Corn Mo and Frank Black. Frank was singing one of his songs that I don't know so well (I think it might have been "I Need Peace") and trying to get everyone to sing along, but few people knew the lyrics.

On the subject of music, the new Neko Case album, Middle Cyclone, is quite good. I haven't picked a favorite song yet, but the one that get lodged in my head the most often are "This Tornado Loves You" and "People Got a Lotta Nerve." I'm not sure why she chose to end the album with "Marais La Nuit," a thirty-minute recording of crickets chirping, but I guess I can safely skip it from now on. Still, I don't really like to skip anything when I listen to an entire album, which is also a problem with records like John Linnell's State Songs and the 6ths' Hyacinths and Thistles.

The other day, I picked up the fourth issue of Marvel's Wonderful Wizard of Oz adaptation. I haven't read the whole thing yet (not that it will take me long when I do), but I have to say that the Wizard's beast form and Jellia Jamb's retro-futuristic wave hairstyle are standouts for me as far as the art is concerned.

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