I saw a few seconds of a Bush speech, and he mentioned Kerry forgetting Poland again. Doesn't he know he's just adding fuel to a running Internet gag? {g}
I see that this page has links to the reviews of the two newest Fuzzy Warbles CDs on my blog. That's pretty cool.
Okay, I've had the chance to listen to both discs of Frank Black Francis, the newest Frank Black release, and I have some thoughts on it.
The first CD is made up of early demos of Pixies songs. They're just Frank with an acoustic guitar, and they're fairly rough, with Frank occasionally making vocal notes like "I'm singing the bass player's part" and "There's supposed to be a scream here." He also sings some short instrumental lines on "I've Been Tired," and the opening drum part to "Oh My Golly," which is amusing. The quality is surprisingly good, with "Isla De Encanta" actualy sounding a lot like the finished version. I wouldn't recommend these demos to anyone who isn't already familar with the songs, but for those of us who enjoy hearing how a song developed, they're nice to have. It's also the first real release of the song "Boom Chickaboom."
The second disc is, well, pretty darned weird. It's a CD of slow, stripped-down versions of Pixies songs, with brass and other musical effects added by the Two Pale Boys. Since I think a large part of what most people like about the Pixies is the relentless energy of their songs, a lot of these slowed-down versions come off as rather unsatisfying. I'm not very fond of the versions of "Nimrod's Son" and "Monkey Gone To Heaven," and the worst of all is the last track, an incredibly long take on "Planet Of Sound." While I like the faux-country guitar at the beginning of "Planet," the rest of the song is very repetitive. I sometimes get the feeling that repetition is a common crutch for people remixing or reworking songs. I guess it's fine when you're doing a remix of a song for, say, a dance club, where no one likely to pay any attention to the lyrics anyway, but it doesn't make for stuff that's much fun to listen to at home. And this take on "Planet" is certainly not a dance mix. On the other hand, I like the effects that are added to some of the songs, like the synthesized bells in "Levitate Me," and the fake violin on "Into The White." I also think the slow, brassy versions of "Velouria" and "Holiday Song" work pretty well, even if they're nowhere near as good as the originals.
I don't think I'll be listening to either disc of this release all that much, but it's an interesting concept, and good to have for when I might be in the mood for demos or weird reworkings.
I see that this page has links to the reviews of the two newest Fuzzy Warbles CDs on my blog. That's pretty cool.
Okay, I've had the chance to listen to both discs of Frank Black Francis, the newest Frank Black release, and I have some thoughts on it.
The first CD is made up of early demos of Pixies songs. They're just Frank with an acoustic guitar, and they're fairly rough, with Frank occasionally making vocal notes like "I'm singing the bass player's part" and "There's supposed to be a scream here." He also sings some short instrumental lines on "I've Been Tired," and the opening drum part to "Oh My Golly," which is amusing. The quality is surprisingly good, with "Isla De Encanta" actualy sounding a lot like the finished version. I wouldn't recommend these demos to anyone who isn't already familar with the songs, but for those of us who enjoy hearing how a song developed, they're nice to have. It's also the first real release of the song "Boom Chickaboom."
The second disc is, well, pretty darned weird. It's a CD of slow, stripped-down versions of Pixies songs, with brass and other musical effects added by the Two Pale Boys. Since I think a large part of what most people like about the Pixies is the relentless energy of their songs, a lot of these slowed-down versions come off as rather unsatisfying. I'm not very fond of the versions of "Nimrod's Son" and "Monkey Gone To Heaven," and the worst of all is the last track, an incredibly long take on "Planet Of Sound." While I like the faux-country guitar at the beginning of "Planet," the rest of the song is very repetitive. I sometimes get the feeling that repetition is a common crutch for people remixing or reworking songs. I guess it's fine when you're doing a remix of a song for, say, a dance club, where no one likely to pay any attention to the lyrics anyway, but it doesn't make for stuff that's much fun to listen to at home. And this take on "Planet" is certainly not a dance mix. On the other hand, I like the effects that are added to some of the songs, like the synthesized bells in "Levitate Me," and the fake violin on "Into The White." I also think the slow, brassy versions of "Velouria" and "Holiday Song" work pretty well, even if they're nowhere near as good as the originals.
I don't think I'll be listening to either disc of this release all that much, but it's an interesting concept, and good to have for when I might be in the mood for demos or weird reworkings.
no subject
Date: 2004-10-18 05:32 pm (UTC)I did like that they put out The Purple Tape finally, although I think it's too bad that they couldn't get the rights to Come On Pilgrim and just release it with the original running time, instead of a 10 dollar, 20 minute CD with the other tracks.
no subject
Date: 2004-10-19 08:26 am (UTC)And I agree that adding the Come On Pilgrim tracks to the purple tape would have been a good idea. I think some people tried to mix the two themselves to re-create the original purple tape, but the sound quality was so different that it didn't work very well.
no subject
Date: 2004-10-19 09:08 am (UTC)Anyway, though, I'll probably pick up FBF pretty soon. Eventually, anyway. At least I know I'm not the only one less than enamoured with that Monkey.
no subject
Date: 2004-10-19 12:13 am (UTC)no subject
Date: 2004-10-19 08:19 am (UTC)no subject
Date: 2004-10-19 08:27 am (UTC)